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The questionable decisions that plague the project undoubtedly start with the awful mixing. But there’s a sloppy halfheartedness to it all that squanders moments of would-be greatness and drags lackluster songs down even lower. On the surface, Birds in the Trap Sing McKnight is a continuation of Scott’s usual style the record is comprised almost exclusively of nocturnal club music and is supported by a bevy of big name guests. Put differently, no other trap rapper puts together eight-minute tracks with lengthy instrumental passages or punctuates big-brag verses with sweet chamber pop breaks. His lyrics may fixate on reckless and impulsive hedonism, but every other element of his music typically feels intellectualized to a degree that mostly goes unmatched within trap music. Though Travis assembles yet another wrecking crew of features and producers, this project just doesn’t have the same spark that his previous efforts did.įor the uninitiated, Houston rapper/singer/producer Travis (formerly Travi$) Scott is a maximalist trap mastermind whose chief modus operandi is giving turn up music an artsy flair. La Flame’s latest project, Birds in the Trap Sing McKnight - a reference to both selling crack and R&B singer/pianist Brian McKnight - is, conversely, shallow as can be. The depth these elements lent Rodeo was undeniable, making it easily one of the best projects of last year.
#TRAVIS SCOTT BIRDS IN THE TRAP SING MCKNIGHT FULL SERIES#
It had wonderfully produced progressive trap epics (like “3500” and “Oh My Dis Side”), straightforward bangers (“Antidote”), some surprisingly introspective cuts (“Apple Pie,” “Ok Alright”), and even a running theme conveyed through a series of fantastic spoken word interludes courtesy of T.I. Travis Scott’s 2015 debut album, Rodeo, had a bit of everything.